"Uncanny Interiors," a group exhibition at Nicola Vassell, tackles a genre essential to the evolution of Western painting and the contemporary self. Despite its "traditional" subject matter, the show foregrounds a critical voice: that of Black individuals, for whom the issue of space and interiority has not only been central, but whose avant-gardism in destabilizing space as form is the unsung bedrock of modernism. Taking cues from bell hooks's 1990 essay "Homeplace: A Site of Resistance," his presentation reveals homemaking as an act of color, shape, sound, feeling, and ultimately beauty, in spite of the wariness and violence that infringes upon its labor.
Critics' Pick - Uncanny Interiors
Bentley Brown, Artforum, August 1, 2022
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