Overview
“It’s about opening up a space to be ungovernable.”—Alberta Whittle

Whittle's work encompasses drawing, digital collage, film and video installation, sculpture, performance, and writing. Her practice prioritizes questions of self-care and compassion, while considering the historic legacies and contemporary expressions of anti-blackness, colonialism, and migration.

 

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Works
  • Alberta Whittle, Conjuring duppies behind the Queen’s back, 2022
    Conjuring duppies behind the Queen’s back, 2022
  • Alberta Whittle, Cosmopolitan dreamings (London), 2022
    Cosmopolitan dreamings (London), 2022
  • Alberta Whittle, Encountering the hostile environment, she breathes easily and steadily, 2022
    Encountering the hostile environment, she breathes easily and steadily, 2022
  • Alberta Whittle, Feet planted on Culloden Road, yet looking towards Newcastle, 2022
    Feet planted on Culloden Road, yet looking towards Newcastle, 2022
  • Alberta Whittle, God don’t come, he send, 2022
    God don’t come, he send, 2022
  • Alberta Whittle, Icon for summoning memory, 2022
    Icon for summoning memory, 2022
  • Alberta Whittle, Icon to prepare for masquerade, 2022
    Icon to prepare for masquerade, 2022
  • Alberta Whittle, Imprinting Mas as Love, 2022
    Imprinting Mas as Love, 2022
  • Alberta Whittle, In tidal movementations, she carves out memories, 2022
    In tidal movementations, she carves out memories, 2022
  • Alberta Whittle, Listening in the shadows for the call of the masquerade, 2022
    Listening in the shadows for the call of the masquerade, 2022
  • Alberta Whittle, Naver strings forever entwined – no fear, only love, 2022
    Naver strings forever entwined – no fear, only love, 2022
  • Alberta Whittle, Playing numbers under Auntie Ramona’s eye (Happy Vale), 2022
    Playing numbers under Auntie Ramona’s eye (Happy Vale), 2022
  • Alberta Whittle, Poised and ready to counter the hard-hearted gaze of surveillance, 2022
    Poised and ready to counter the hard-hearted gaze of surveillance, 2022
  • Alberta Whittle, Prayers for those craving sweetness, 2022
    Prayers for those craving sweetness, 2022
  • Alberta Whittle, Respectability won’t save us: cycles of erasure I, 2022
    Respectability won’t save us: cycles of erasure I, 2022
  • Alberta Whittle, Respectability won’t save us: cycles of erasure II, 2022
    Respectability won’t save us: cycles of erasure II, 2022
  • Alberta Whittle, Respectability won’t save us: cycles of erasure III, 2022
    Respectability won’t save us: cycles of erasure III, 2022
  • Alberta Whittle, Strolling outside of the crosshairs (into pleasure), 2022
    Strolling outside of the crosshairs (into pleasure), 2022
  • Alberta Whittle, Sunday afternoons are made for asserting beauty, 2022
    Sunday afternoons are made for asserting beauty, 2022
  • Alberta Whittle, Survival technology (camouflage), 2022
    Survival technology (camouflage), 2022
  • Alberta Whittle, We Remain with You, 2022
    We Remain with You, 2022
  • Alberta Whittle, When assimilation is demanded, our spirit stays strong, 2022
    When assimilation is demanded, our spirit stays strong, 2022
  • Alberta Whittle, When our hands touch, we remember Ma-Ma, 2022
    When our hands touch, we remember Ma-Ma, 2022
  • Alberta Whittle, RESET, 2020
    RESET, 2020
Video
Biography

Alberta Whittle (b. 1980) was born in Bridgetown, Barbados and currently lives and works in Glasgow, Scotland. She received her MFA from Glasgow School of Art and is now a PhD candidate at Edinburgh College of Art and a Research Associate at The University of Johannesburg. The artist represented Scotland at the 59th International Art Exhibition of La Biennale di Venezia and has been the recipient of a Turner Bursary, Frieze Artist Award, and a Henry Moore Foundation Artist Award. 

 

Whittle's work encompasses drawing, digital collage, film and video installation, sculpture, performance, and writing. Her practice prioritizes questions of self-care and compassion, while considering the historic legacies and contemporary expressions of anti-blackness, colonialism, and migration.

 

Recent solo exhibitions and performances include Alberta Whittle: Under the skin of the ocean, the thing urges us up wind, Mount Stuart, Isle of Bute, Scotland (2024);  Alberta Whittle: between a whisper and a cry, Institute of Contemporary Art (ICA), Los Angeles (2023); create dangerously, Modern One, Scottish National Gallery of Modern Art, Edinburgh (2023) and Respectability won't save you: a Caribbean haunting, curated by Arianna Nourse, Nicola Vassell Gallery, New York (2022). Selected group exhibitions include Surrealism and Us: Carribbean and African Diasporic Artists since 1940, The Modern, Forth Worth (2024); Soulscapes, Dulwich Picture Gallery, London (2024); Dominique White and Alberta Whittle: Sargasso Sea, Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (2024); Black Melancholia, The Hessel Museum at Bard College, New York (2022) and Life Between Islands, Tate Britain, London (2021). Her work has been acquired by the UK National Collections, The Scottish National Gallery Collections, Glasgow Museums Collections and The Contemporary Art Research Collection at Edinburgh College of Art.

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